Marketing Mix Of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

Posted by Zander Henry on Aug-22-2018

1. marketing mix

1.1. Understanding the marketing mix

  • The marketing mix is an important set of marketing tools and characteristics that a firm uses to increase penetration in the target market groups
  • Using the marketing mix strategically includes focusing on seven important aspects of marketing and branding for an organization, namely: product, place, price, promotion, people, process, and physical evidence

1.2. Importance of marketing mix

  • The marketing mix helps a company choose and decide on a suitable marketing strategy
  • The marketing mix also helps a company in resource and budget allocation to different aspects of the marketing strategy and product development
  • The marketing mix also allows a company to choose the right and effective marketing tactics for its promotional needs

2. Marketing mix for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY makes use of the marketing mix strategically to achieve not only the marketing objectives but also the broader organizational objectives.

Marketing Mix TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is presented below:

2.1. Product

Product is one of the most important components of the TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY Marketing mix. The distinctive characteristics of the product by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are:

2.1.1. Quality

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY maintains the high quality of products
  • High product quality is maintained by adding value during different stages of the value chain
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY procures raw materials from reliable and trusted suppliers only
  • These raw materials are processed under carefully maintained environments to maintain high and consistent quality of the products
  • High quality promise and delivery also provides TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY with a distinctive competitive advantage

2.1.2. Ease of use

  • The products manufactured and sold by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are relatively easy to use
  • All products come with a user manual, which is easy to understand and which provides simple instructions for product use
  • The consumers can also call the 24/7 helpline to understand details about product usage
  • Also, retail representatives provide detailed instructions and explanations regarding the use of the product at the time of the sale

2.1.3. Portfolio broadness

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has a broad portfolio of products
  • The broad portfolio helps TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY in reaching different target groups in the market
  • Also, the broad portfolio allows financial strength to TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY
  • The broader product portfolio also adds more value for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

2.1.4. Benefits of product consumption

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY offers functional benefits to consumers of the product use
  • These functional benefits are promised and delivered – however, they are also delivered by other similar products
  • The distinguishing aspect of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is its delivery of emotional benefits to the consumer
  • Products manufactured and sold by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY promise consumers an ego boost, confidence, and security
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also promises fulfilment of psychological needs on product consumption
  • These psychological needs include, for example, the need for empathy, the need for belonging, and the need of feeling loved.

2.1.5. Different SKUs

  • The products by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are available in different sizes
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has made use of different SKUs to increase market penetration
  • Different SKUs can be brought and used as per the consumption needs of the consumers, and the target markets
  • Through the production of different SKUs, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has also increased the trial rate
  • Different SKUs have also helped TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY improve its product accessibility

2.2. Price

TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY marketing mix focuses on a hybrid strategy for pricing to obtain maximum value for its products. The marketing mix TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY uses a combination of a number of techniques for pricing its products, which are detailed below:

2.2.1. Premium pricing

  • By using premium pricing for some of its product ranges, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY encourages favorable brand and product perceptions in target consumer groups
  • Premium pricing for products also encourages a favorable quality perception of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY products amongst consumers
  • With premium prices, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has successfully also made some of its product ranges exclusive by restricting sales and production. This, in turn, leads to a perception g luxury in consumption products
  • Premium prices add a touch of privilege and high value in TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY products
  • Using elements of premium prices in other product ranges has also allowed TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to maintain significantly high profits and a consistent business growth

2.2.2. Psychological pricing

  • Since TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has a number of different product ranges and product groups, the use of psychological pricing has been beneficial
  • With the use of psychological pricing, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also successfully adds more value to its products from the point of view of customers
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also gains higher sales with psychological pricing
  • Consumer purchase a higher amount of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY products because of its use of psychological pricing
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is able to increase its target audience and broaden its target purchaser groups

2.2.3. Geographical pricing

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is able to penetrate different regional markets optimally with the use of geographical pricing
  • For offshore locations, geographical pricing also allows TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to cover shipping and customs expenses
  • Geographical pricing also allows TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to maintain consistent revenue growth by altering pricing in different markets based on local currency value

2.2.4. Bundle pricing

  • For some product ranges, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is also known to use bundle pricing strategy popularly
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also uses bundle pricing during sales
  • Bundle pricing increases the trial rate for consumers
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY experiences higher return on the cost of gaining a new customer
  • With bundle pricing, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is also able to control costs and prices by lowering marketing and distribution expenses
  • The use of bundle pricing also adds value to the umbrella brand name of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY.

2.3. Placement

TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY places high importance on the placement of its products because it directly relates to accessibility for consumers.

2.3.1. Company-operated stored

  • The company maintains stores operated by the management of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY in all markets
  • Company-operated stores give TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY higher control over operations as well as store layout and design
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also interacts directly with the consumers and gathers important details regarding consumer behavior and consumer feedback through company-operated stores
  • The company operated stores also give leverage to TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY in terms of decisions regarding the stocking of different product items

2.3.2. Licensed stores

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY licensed stores also allow consumers to enjoy the various product offerings by the company
  • Licensed stores also decrease the risk of financial and physical investment for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY in unstable markets
  • Licensed stores have also given TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY high business growth, and a boost for rapid market expansion and penetration
  • Through licensed stores, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has also learned about local consumers and cultures
  • Licensed stores and shops encourage sales of products by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY by aligning it with local cultural values
  • Licensed stores also help TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY in localizing its product offerings to enhance brand equity and band image

2.3.3. E-commerce

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has developed a successfully operational website for online order placement and order tracking
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also encourages sales through social media portals, where the company takes orders through direct messages, as well as through a mini-shop model
  • The company also stocks products with online retailers such as Amazon and eBay, as well as smaller local online retailers as well
  • Online retailing, and using the internet to make sales has boosted the sales for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY and has also increased the accessibility of its products for consumers.

2.3.4. Supermarkets and hypermarkets

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also places its products in supermarkets and hypermarkets across the country
  • A large number of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY target groups shop from supermarkets and hypermarkets
  • Placement in supermarkets and hypermarkets also improve cost efficiency for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

2.3.5. Partner agents

  • In offshore locations, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also makes use of partner agents for its products’ placement
  • These partner agents are assessed and evaluated on strategic compatibility and reliance
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY contracts with partner agents in other countries and markets for its product placement to ensure quality control and terms of negotiation

2.4. Promotion

The marketing strategy for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also places high importance on the promotional tactics and strategies used. The promotional strategies allow the TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to interact with the consumers and influence them directly. TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY uses a 360-degree approach in its promotional activities, and makes use of the following means of promotion:

2.4.1. Digital marketing

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has corporate profiles on all social media websites and portals
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY uses its social media presence to directly, engage with consumers
  • This direct engagement and interaction allows TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to understand the customers, their needs and demands
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY uses this feedback and incorporates it in its broader marketing and organizational strategy
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also maintains a corporate website – which highlights company information, product information as well as information regarding any ongoing campaigns and sales

2.4.2. Reward Programs

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has a loyalty card program for its customers
  • The loyalty card allows customers to redeem points in exchange for products or other exciting gifts, as directed by the company
  • Each purchase is entered into the loyalty card by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY and is valued for points against the products’ monetary value
  • The loyalty card can be purchased or is given complementary by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY on high valued purchases
  • Frequent usage and purchase of products by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also has rewards against the loyalty card

2.4.3. Community Influencers

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY makes use of community influencers as its on-ground promotional efforts
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY identifies strong and confident individuals to be brand ambassadors in their communities
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY provides these brand ambassadors and community influencers with its product range and invites them to use it themselves to see benefits

2.4.4. Conventional marketing

  • The company places advertisements in consumer-related magazines. This largely includes home decor, and home management magazines
  • Magazine ads are not very frequent, but appear twice every quarter of the fiscal year
  • In high-density locations, TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also makes use of out of house hoardings
  • Hoardings increase visibility for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY and also work towards building stronger brand recall
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also produces TV advertisements
  • All TV advertisements have an emotional appeal to them
  • TV advertisements by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY have progressed to include a slice of life elements and characteristics
  • TV advertisements by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also highlight the functional benefits of the product

2.5. People

The marketing mix of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also places an essential focus on people development and people building. This is because TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY realizes the importance of employees in building strong customer relationships. TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY develops its employee and people by focusing on the following aspects:

2.5.1. Training

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY makes sure that all employees undergo regular training sessions for skill development and enhancement
  • Trainings at TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are not the only field related, but also focus on essential management and organizational skills
  • Training sessions and activities at TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also identify with the employee's own needs of progression, development and growth
  • All training sessions and activities designed and carried out by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY take into consideration business goals and objectives, as well as employee's personal goals and aspirations
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY, therefore, tries to develop the employee as an organizational member, as well as an individual
  • All training is engaging, and hands-on so that employees do not only learn but also experience

2.5.2. Organizational ownership

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY works on strengthening the organizational commitment in its employees
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY builds employee loyalty so that people can reflect their optimal best at work
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also understands that satisfied employees will lead to happy and satisfied customers
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY regularly shares different reward programs for employees, including stock sharing, so that their organizational commitment and ownership is enhanced
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also includes employees in decision making at different managerial levels, and regularly takes their feedback for different projects and products – which also work towards building organizational ownership

2.5.3. Motivation building

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY employees are the face of the organization
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are motivated through the exciting and creative organizational culture
  • Employees are also motivated through different reward programs and bonuses that TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY distributes
  • Another source of motivation is appreciation programs where management appreciates and acknowledges the work and performance of different employees

2.5.4. Succession planning

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY remains one of the leading players in the industry also because of its focus on succession planning
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY conducts succession planning for all managerial levels
  • Succession planning is done through internal promotions as well as external recruitments to meet the needs and demands of the vacant job position at TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY
  • Strategic succession planning has allowed TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to be prepared for different challenges, and also be resourceful enough to deflect them

2.6. Process

TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has organized and systematic processes in place to make sure that the business experiences consistent growth.

2.6.1. Operations

  • All operations at TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY are clearly defined and communicated to the employees
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY makes sure that employees are well trained, and knowledgeable of all processes relates to operations
  • All stages of operational processes focus on maintaining a high quality level and standard of the products
  • Systematic process re in place for all operation – from procurement to the final sale of the products
  • All operational processes are maintained, checked, and uploaded through the internal portal of the organization for supervisory purposes
  • The use of online portals for operational processes also builds a strong backup for managerial purposes at TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

2.6.2. People Management

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has also defined clear processes for people management through streamlining its human resource management department
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has defined guidelines regarding recruitment, training, compensation management, and performance appraisal of employees
  • All people related processes are not only communicated to the management and supervisors, but also to employees to create a sense of transparency, and an environment of trust
  • Progressive people management systems and processes have allowed TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to keep its workforce motivated and happy – which reflects in satisfied customers

2.6.3. Quality maintenance

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also has defined policies and processes for managing and maintaining quality
  • All products undergo triple quality checks to ensure that customers receive the best product
  • In addition to quality checks at the production and distribution level, the management has also placed separate quality maintenance and quality check department
  • The quality maintenance department has experts who make sure that not only the final product but also the processes involved in producing the product were infused with quality

2.6.4. Store management

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY manages store management through stringent and closely monitored policies and processes
  • These processes relate to not only the floor and space design but also to the performance of the employees at the store
  • The processes for store management also regularly monitor footfall and work on strategies to increase footfall through different tactics, and changes in the store design and store management
  • The company also has a systematic process for customers who interact with the products and feel them before making the purchase
  • The final sale at the store is also clearly defined – for the employees and the customers both
  • Processes and policies are important for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY for maintaining quality of the products, and for ensuring that the company does not experience any unnecessary expenses and costs

2.7. Physical evidence

The physical evidence is also important in the marketing strategy for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY as it works towards influencing the consumers in favor of the brand and its offerings. The physical evidence for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY include:

2.7.1. Store atmosphere

  • The store design and management for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY is exciting and creative
  • The store atmosphere makes the customers feel relaxed and comfortable –so that they can interact with, and enjoy product offerings by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY at ease
  • The store design is also important for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY because it controls the level and nature of experience and interaction that the customers have with the product and the brand
  • With company-operated stores, it is easier for TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY to control and manage the store atmosphere to be able to positively influence customers and to be able to appeal to them emotionally

2.7.2. Packaging

  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has unique packaging, which is different from other players in the industry
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also has a vibrant touché to its packaging, which is regularly changed in terms of colors and patterns
  • The logo for the company is simple, and recognizable by the consumers easily
  • The brand logo has also become a symbol of confidence, ambition, and aspiration for consumers who use products by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY
  • The packaging of the products is sophisticatedly done and matches the brand image developed and maintained by TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY

2.7.3. Website design

  • The website design is simple and easy to use
  • TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY has a customer friendly user interface which allows easy navigation and understanding of its various product offerings
  • The corporate website of TURNAROUND AT THE STRATFORD FESTIVAL IT IS A LOT LIKE DIRECTING A PLAY also has the brand logo, and is packaged similarly to the products offered by the company
  • The design patterns, and color change on the website with changes to the product packaging to match various campaign needs and sale offerings

3. References

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Schmitt, B., 1999. Experiential marketing. Journal of Marketing Management, p. 57.

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